Diary of a topless gal

When this journalist decided to undress in the name of feminism, it became a story of power, love, and a fair amount of Prosecco.  By Gillian Drummond

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Liora K, left, and Jes Baker give each other some love at the second annual 'Expose'. Photo courtesy of Liora K Photography.

The invitation came via Facebook one evening: Would I join 100 or so other women to pose topless in black underwear? I didn't need much persuasion - only the names attached to the event. These were Jes M Baker and Liora K, body positive blogger and photographer respectively, and together a pair that is giving feminism, sizeism and girl power an almighty kick up the backside.

Their mission: the second annual 'Expose' photo shoot, one that would be shared with the world via social media. Last year they gathered a crowd of women in white undies for a shoot to celebrate all body sizes. This year the undies would be black.

Jes and Liora fascinated me, with their feminist derring-do, their creativity, their following, and their media presence. (One entry from Jes on her blog, The Militant Baker, can lead to a Huffington Post or CNN headline; a post on her Facebook page can get tens of thousands of likes.)  DSC_2622-400x266 I had been following this pair's work for some time, and reporting some of it in 3 Story. Jes's Smash The Scale project encouraged women to start off their New Year doing just that. In Lustworthy, Liora photographed a series of mock perfume ads showing the plus-sized Jes posing seductively with a hunky and regular-sized male model.

And then there was the set of photos that first gained them worldwide media attention: Attractive & Fat, a great big public poke at Abercrombie & Fitch and sizeist comments made by its CEO Mike Jeffries. They featured Jes and another regular-sized male model publicly challenging the assertion that attractive and fat are incompatible, with Liora once more behind the lens.

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Jes Baker's blog receives 300,000 to 600,000 hits a month.

So anyway, back to that evening. What was I thinking when I clicked 'Join' on the Facebook event? Two things: 1. that this would be a great story; and 2. my journo's appetite aside, that it was time for me to support Jes and Liora's efforts as well as writing about them.

I shared the flyer on my own Facebook page with the words, 'Tucson gal pals, I feel we must... Whaddaya think?" Then a funny thing happened... nothing. Not one like, nor comment, nor share. Certainly no commitments to get almost-naked and join me. My Facebook world went eerily quiet.

No matter. By then I was all in. I told my husband and kids. Hubby was cool with it and called me brave. The seven-year-old just giggled: "You're doing what?"  The teen got straight to the point: "Mom, you can't. Your boobs hang down to your waist." And that, right there, was incentive enough.

Still, the reality was now setting in. Here's what went through my mind:

Thought #1: It's only two weeks away. Oh shit, that doesn't give me much time to lose weight.

Thought #2: You silly cow, Gillian, the whole point is you don't have to look perfect. It's a love-your-body event.

Thought #3: Help! I don't love my body. I really don't. Wtf have I done?

I am Scottish. I was raised Presbyterian. We liked our clothes, and our modesty. I was a chubby kid, and weight issues followed me into adulthood. So for me to get naked, do it in public, and actually celebrate it, was a big ask. Apparently I wasn't the only one thinking that way. My Facebook post remained untouched and ignored - no likes, no comments. It was a digital tumbleweed moment.

And then I was having cocktails with a business acquaintance and new pal and happened to mention my forthcoming stripping-off. "I'm in,' said C. "I'll do it with you." Cue Thought #4: I am only just becoming friendly with this woman, and yet on Sunday we will disrobe together.

I determined that alcohol would help. An hour before the shoot, C and I opened a bottle of Prosecco. We got to Tucson's Maker House feeling buzzed, and the party was starting - the bar busy, the room hot and noisy and excited. We downed another two glasses of bubbly. And then we ordered a bottle.

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Liora K, the photographer behind the 'Expose' photo shoots. Photo by Purple Nickel Studio.

Liora explained that with so many people and not a lot of time, she'd be whizzing through the portraits. When it came to our turn to pose, we should tell her straight away whether we planned to remain anonymous and not show our faces, she said. C and I had already agreed to remain anonymous. We figured that showing our boobs and bodies was one thing, but we weren't ready to be identified to the world.

Jes gave us all a pep talk, reiterating that this was a positive space. We shouldn't be down on ourselves, and we should be only upbeat in our comments about our bodies. It was also a safe place. (For that reason I was banned from interviewing anyone for this article, or from publishing anyone's photos - scroll down for the links to those.) And with that, Liora and Jes whipped off their tank tops and encouraged us to do the same.

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Photo courtesy of Liora K Photography,

I tell my daughter all the time: "People come in all shapes and sizes." And I wish she had been there to witness how true this statement was that summer afternoon in Tucson. There were big boobs, little boobs, hardly any boobs, pregnant boobs. Pregnant bellies, Caesarean scars, other scars. Briefs, thongs, boy shorts, high-waisted Spanx affairs, and some undies removed altogether. There was a lot of ink - to the point where my tattoo-less body felt almost rebellious.

As each woman took her turn to pose, Liora gave a few suggestions: stand sideways, turn around and show your bum, stick it in the air, ruffle your hair, make like you're a body builder with strong arms. I was in awe of the women who strode up there all ready to roll - grinning, posing, provocative, strong.

It helped that the crowd cheered and whooped. Then again, that in itself was nerve-wracking. I had imagined that Liora would shoot in a corner of the room, out of sight of the others. But the photography took part on a makeshift stage front and center of the room, with everyone's eyes on the subjects. C and I looked at each other, panicked. "What do we do up there?" I kept asking her. And we drank some more, putting off our turn.

Then, at some juncture, Liora turned around and nobody was lining up to pose. The initial rush had died down. 'Who's next?" she shouted. I grabbed C's hand and led us both up there. The next 30 seconds (because that was all it took) was a blur of laughs, grins, a few hasty, silly poses and - crucially - a great wave of cheers and applause from the crowd as the two of us posed together. It was a high all in its own category.

But there was a problem: not one of our poses was anonymous. In the heat of the moment, we hadn't told Liora to obscure our faces. "You realize we didn't..." I started to say to C. She nodded and said, "It's OK." And it was. Standing up there, we'd both realized that there was no point in doing all of this and not showing our faces.

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Jes Baker, body positive advocate and inspiration to millions who follow her blog, The Militant Baker. Photo courtesy of Impulse Nine Media.

The few hours I spent there were electric and empowering and funny and sincere and loving and sore and very, very emotional. One woman had brought along her infant. I held him to me, skin on skin, for the longest time. I realized how much I missed breast-feeding, smelling and loving on my babies and their nakedness against mine all these years ago. We women admired each other's underwear and hair. We oohed over tattoos. We laughed a lot. Some wept. The cheers were deafening as Jes led one or two who were shaking with fear and tears, and posed alongside them.

As Liora said afterwards: "It's really intense, like very very raw inside out type stuff." It also felt subversive, conspiratorial. Out on the street afterwards, fully clothed again, we strangers were smiling at each other knowingly. We were bonded, like a female Fight Club. Except without the violence, only love. What Jes calls body love.

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"It felt subversive, conspiratorial... We were bonded, like a female Fight Club." Photo courtesy of Twentieth Century Fox Studios.

But wait, there is a Post Script to this. As Liora emailed us our photos for a sneak peek, we returned to that same Facebook page - a closed, private group, only open to those who took part - to share our feelings. Tears surfaced again for some as they shared their picture with the rest of the group. Yes, there were tales of feeling bold, newly confident, liberated, loved. But there were many stories of anxiety and self-doubt. One woman regretted having done the shoot. A couple of them said they hated the end result, but were glad to have had the experience. Even the mighty Jes Baker, who has had images of her flesh published worldwide, admitted to a moment of pause when it came to sharing her own naked photo - one of her most candid to date.

Me? I like my photos, and force myself not to pick them apart or dwell on the cellulite. I'm proud I took part, and I feel I'm walking taller as a result. But I'm nervous about the world's media seeing my exposed body on Jes's blog and beyond. Tellingly, I haven't told my parents I did it. And the experience took its toll. I was exhausted, emotionally spent. I also comfort-ate carbs and sugar for days afterwards. Still burying stuff. Still, truth be told, uncomfortable with baring all.

But there will be a next time. I'm already thinking about my next pose.

* To see the photos from the second annual 'Expose' photo shoot, visit Jes Baker's blog, The Militant Baker. You can also read about it on Liora K's blog.

* Read more about Jes in our award-winning article, The F Word. And check out our 3 Story profile on Liora here.

Dear Tucson...

Love Letters to Tucson logo Each issue we link up with Rachel Miller's Love Letters to Tucson blog for a letter from a Tucson inhabitant about why they love this fair city. This month, in celebration of Kon Tiki's 50th birthday, regular Maggie Rickard pays homage to a Tucson classic. Photos by Rachel Miller.

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Dear Tucson,

I love you

I love your natural beauty and devastating sunsets.

I love the music and art that you have inspired us to make.

I love that you offer so much more than you ask in return.

I also love being able to have one of Kon Tiki’s lovely rummy cocktail at the end of an overly rough day.

I fell in love with you on vacation. Following a particularly strenuous physical therapy session, I opened the door of Kon Tiki and entered another world. While we poured over tiki on Ebay in New York, we could find no real Tiki bars. In Tucson I could be IN the Kon Tiki.

Kon Tiki is our staycation, our escape. When we want to be in another place we open the door and find paradise here. For a few hours… an escape to relax.

Maggie

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Velvet Hammer, aka Maggie Rickard, moved to Tucson in 2002 with her partner Mark Bloom. Drawn by the warm weather, the lack of walk-up apartment buildings and the Kon Tiki bar, Maggie and Mark have been creating beautiful glass mosaics and art as Velvet Glass since they moved here. Maggie’s alter- ego Velvet Hammer is the drummer for the Jonestown Band

You can see the rest of Maggie’s photo shoot here

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Maggie outside her favorite haunt, Kon Tiki.

Dear Tucson...

Love Letters to Tucson logo Each issue  we link up with Rachel Miller's Love Letters to Tucson blog for a letter from a Tucson inhabitant about why they love this fair city. This month: Soleste Lupu of non-profit dance studio Dancing in the StreetsPhotos by Rachel Miller.

 

 

 

 

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Dear Tucson,

"I love you, though I admit I love other cities and other places too. I love Seattle, I loved South Korea and the East Coast, but coming back to Tucson is like putting on your favorite pair of jeans.  It feels like home, like comfort.

"When I was young I was convinced that Tucson was too small, boring and I couldn’t wait to get away. I didn’t appreciate my hometown.  I didn’t realize just what I had here…the arts, the nature, and the rich culture.

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Soleste Lupu

"At 21 I moved away. I married and moved to South Korea, and then Seattle for 10 years and then divorced.

"Joey and I had met when we were kids, in ballet school here in Tucson.  We were together as teenagers until 1986, when we separated, but we kept in touch, through postcards and long distance phone calls.  We reconnected 15 years ago and have been married for five of those years. Underlying our friendship there was always this Tucson connection.  And it is that connection of Tucson that really cements and bonds us together, always having the pull of Tucson no matter where we were. It was great to be together, in Milwaukee or wherever, and say “In Tucson…”

"I think there is this piece of Tucson that lives in your heart…this feeling, deeper than a building or a place, just a wonderful acceptance of different lifestyles, different cultures, art, and it’s part of growing up in Tucson. I didn’t recognize that I had this sense until I moved away. Historically, we have had this wonderful mix of cultures - Native American, Mexican American, and Asian - that, along with the natural habitat influences peoples’ creations and I don’t think that exists in quite this way anywhere else in the country.

"I love that I grew up and still live in a neighborhood where wild animals roam. I don’t think there is a hierarchy of humans over animals when it comes to rights to exist, and I think that is in part due to growing up in Tucson. I used to walk home from school, through St. Joseph's Hospital grounds, and it was still desert. There were javelina and coyote along my path home, they never threatened me. When I moved away I met other people who hadn’t had that experience, who weren’t familiar with having wild animals around and were deathly afraid of birds, ants, coyotes and all the other animals that we grow up with.

"Did you know that we have an incredible legacy of dance here in Tucson? Joey and I were fortunate enough to be taught by George Zoritch, an original Ballet Russe dancer, and one of the founders of the University of Arizona Dance Program.  I didn’t know what that meant at the time. It wasn’t until years later when I was thumbing through an old program of the Ballet Russe and there was his picture! In the 1950s  and '60s George Zoritch, Mitrovich and a number of very prestigious dancers settled here in Tucson and started ballet schools. It was wonderful to have that whole generation dancers here, but they’re dying off and I worry that this wonderful history and legacy is slipping away.

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Soleste and Joey with some of their dance students.

"Tucson has managed to keep what is rich and great in diversity, in culture, in population, but can we continue? Arts and cultural events need people to attend, and they need dollars to survive. Phoenix has traditionally has been better at regular support. It’s important to remember, though, that we have incredible homegrown talent in Tucson, all over Tucson. We have many talented musicians, artists, dancers and tile artists in the city. I don’t think many people realize just how much talent we have. There is this idea that people from out of town have some sort of magic, that they have a better art that we have, and that isn’t the case."

Rachel met Soleste at the Dancing in the Streets studio on 38th Street as Soleste prepared for the school’s upcoming Nutcracker performance at the Fox Theater. You can rise to the Soleste’s challenge and support the arts and Tucson’s homegrown talent by attending this family performance of the Nutcracker on December 14th or 15th at the Fox Theater downtown. Can’t make it? Sponsor a child’s lessons, or dance supplies, or perhaps even their costume for their first public performance. 

* Dancing in the Streets is dedicated to using the power of dance to break down cultural barriers and enriching the community’s artistic experience. Based in the City of South Tucson, where Joey grew up, the school is focused on providing children and their families from the immediate community with programs that build self-esteem through dance. Find out more about it here.

Fashion Crush

In celebration of Tucson Fashion Week, we've been profiling some home-grown fashion designers. Our fashion crush this month: Ashley Bowman of Bowman & Hock. By Joan Calcagno. Cover photo by Ali Megan Photography.

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Photo by Ali Megan Photography

 

3S: Why Bowman & Hock?

Ashley: “The business had a different name when I established it in 2006. Then my mom, Charlene Hock, joined me a couple years later. As we grew as a team, that name didn’t reflect the partnership, which is a big part of who we are and of our story. And it gave us an opportunity for a strong logo: a woman archer with hawk wings.”

bowmanandhocklogo2 3S: How would you describe the Bowman & Hock style?

Ashley: “We create ‘fashion jewelry’. That means a place between fine jewelry - which uses diamonds and gold - and lower-end costume jewelry. We design with semi-precious stones like tourmaline, labradorite, fine quartz and fresh-water pearls. And we use feathers, leather, chains - nothing is off-limits.

"We’re known for large, statement pieces. I drill the stones and we use many techniques - wire wrapping, metal work, stringing, pearling – so each piece is unique.  That’s the look in our signature collection. And we have a 'Day of Dead' collection, which incorporates skulls and other thematic elements.

"It is really jewelry as art. Not so much an accessory, rather each piece stands on its own.”

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Photo by Ali Megan Photography

3S: What will you be showcasing at TFW?

Ashley: “We’ll have models in simple dress, each wearing a statement necklace and an enormous, dramatic feather-based headdress. Each look is based on one of the twelve signs of the zodiac.

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Photo by Ashley Bowman

"To test out designs for the headdresses, my mom created a line of 'Day of the Dead' hats. We’re not branching off into hats as an on-going thing. These are just for this time of year - an opportunity to take a little bit of that headdress to something more wearable.”

3S: When did you start playing around with jewelry design?

Ashley: “My mom gave me a bead kit when I was a little girl. Then I started making jewelry for friends and wearing what I made. When I was 20 and away at college, I was in a boutique one day and the owner loved the piece I had on. She offered to sell my jewelry in the shop. That went well and I realized I could be making money doing this.

"When I moved to back home to Arizona, I started doing trunk shows, which were successful. Then I joined design talents with my mom, who is an amazing seamstress and costume designer. That dynamic is the basis for our success. We really are a team.”

3S:Who or what was your first fashion crush?

Ashley: "I've always loved Madonna. I'm a professional ballet dancer and I've always loved her work. I thought she was so cool. And her fashion sense is totally up my alley - whether it was what she wore at the Grammies, on stage, everywhere. Some of it was a little androgynous, and that really appeals to me. My mom on the other hand was totally into couture. My great-grandmother went to Parson's [School of Design]  in the 30s, so, with my mom, there is a long line of dressing elegantly."

3S: Where do you find your own accessories?

Ashley: “Jewelry is not like clothing – wearing jewelry is a choice. It should be special and meaningful. So I wear our designs in the right circumstances, but I don’t wear [jewelry] accessories on a day-to-day basis.

"I like to design meaningful pieces and see them on others. It’s hard for me to wear something simple. I’d rather not wear any accessories at all. I just can’t get something off the rack.”

Ashley Bowman (standing) and Charlene Hock

Ashley Bowman (standing) and Charlene Hock. Photo by Daniel R. Wilson

3S: What do you see in the future for Bowman & Hock?

Ashley: “We want to get our line into high-end stores like Neiman Marcus and Nordstrom, and privately owned boutiques. I wore some of our pieces when I was on vacation in Europe and the Europeans loved them. It made me realize that we have a place in the fashion world. We just have to keep going.”

3S: What designers influence you?

Ashley: “I love Dolce and Gabbana. When their spring line came out, our aesthetic was so similar our regular customers thought we had imitated it. To which I said No, they copied us!’. Oscar de la Renta has been an influence. And I love the photography of Eugenio Recuenco. The photographs are theatrical, bizarre, and theme-based – a lot like our work.”

* You can find Bowman & Hock  on Etsy. Bowman & Hock designs will be featured in the Saturday evening Runway Wrap-up and Fashion Presentation at Tucson Fashion Week. Also visit their Day of the Dead Trunk Show, Sunday October 13th, 12-6pm at their downtown studio, 19 E. Toole Avenue, 85701.

* 3 Story Magazine is a proud sponsor of Tucson Fashion Week, which runs October 17th to 19th, 2013. For tickets and info visit www.tucsonfashionweek.com

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Photo by Ali Megan Photography

 

Fashion Crush

In celebration of the upcoming Tucson Fashion Week, we profile some home-grown fashion designers. Our fashion crush this month: Heather Lindquist of REVOLuTIoBy Samantha Cummings.

Photos by Heather A. Lindquist©

Photo by Heather A. Lindquist©

3S: Why ‘REVOLuTIo?’

Heather A. Lindquist

Heather A. Lindquist

Heather: “It’s the phonetic spelling of 'revolution.' I came up with it with my son’s father in Chicago. We had discussed maybe opening a gallery or coffee place a long time ago and he was talking about ‘Revolution,’ and since I’ve been home, the last three years of my life have been pretty crazy. My mother died, my son had a disability… I’ve just had a lot of stuff going on. When I decided to open the store, I got a space in the building, shockingly, that my parents used to own. This was after my mom passed away.

"I came up with this name for a lot of reasons, because it means a turnaround and change of events. So I thought after all the stuff I’ve been through the last year my company is my turnaround for the better, basically.”

3S: How would you describe Revolutio?

Photos by Heather A. Lindquist©

Revolutio. Photo by Heather A. Lindquist©

Heather: “It’s kind of an eclectic boutique. I used to carry more consigned items. I would take in local artists and I’ve had shows for painters. I try to bring in different products and scout out unique pieces. I’m trying to keep the price point fairly moderate. I’ve also been trying to carry things in the store that people can afford, yet there are also these high-end items that may cost a little bit more money. I like to buy things that I would like to have.”

3S: When did you start playing around with fashion?

Heather: “When I was growing up I dreamed of going to the Fashion Institute of Technology. I’m a jack-of-all-trades and I actually ended up instead going to a liberal arts college in Vermont and I studied painting. Then I left for Italy and I got back and was into the high-fashion design I had seen there, but was still a painting major and got into photography. Then I came home and got into glass blowing and got a degree in specializing with glass. I have kind of a diverse background.

"I ended up getting a really bad arm injury, so it ruined my glass career. I woke up one day and I couldn’t write or do anything with my right hand. I had been going to a store in Oakland, owned by Erica Tanov, a high-end fashion designer, and I applied to manage her store. I got the job, loved working there and got to see how she did things.”

“I’ve always worked for other people, I’ve always wanted to have my own store and I’ve managed a lot of boutiques. Then I found the perfect store for us, which turned out to be owned by my parents when I was a kid. It felt like it was meant to be.”

Photos by Heather A. Lindquist©

Photo by Heather A. Lindquist©

3S: How would you describe the style of your fashion line, Tonatiuh (Aztec for sun)?

Photo by Heather A. Lindquist©

Photo by Heather A. Lindquist©

Heather: “I’m calling it a sophisticated bohemian style. For spring and summer I’m doing more light fabrics, sear suckers, and chambray cottons. Now, I’m doing a more sophisticated Fall look (to be seen at Tucson Fashion Week) that’s going to be relaxed, but with very high-end silk and a lot of other trends going on.”

3S: What do you see in the future for Tonatiuh?

Heather: “I have a very hands-on approach to what’s going on right now, which is fun and exciting. I feel like everyone has their own talent in it, so I’m really trying to build a good team of people and I want to make sure to hire people in the United States, especially with our economy right now. I’m considering down the road selling something with the line that may possibly have potential to donate money to a non-profit, especially with what’s been going on with my son disability-wise.”

3S: Where do you find your own clothes?

Heather: “Anthropologie, high-end designer resale boutiques in Chicago, Buffalo Exchange, Loehmann’s, Marc Jacobs, and Lori’s Shoes.

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Betsey Johnson, Heather's first fashion crush. Photo courtesy of TFW/Betsey Johnson

"When I was in Italy, I was mostly influenced by Jean Paul Gaultier. I would get a lot of his sample pieces at the Italian market. I actually still have some of the pieces from when I was 18 years old, and I’m 40 now. Erica Tanov also had an influence on me. I loved her style and she based a lot of her pieces off of vintage pieces. Other influences include Betsey Johnson, Michael Kors, Alexander McQueen, and Diane Von Furstenberg."

3S: Who or what was your first fashion crush?

Photo by Heather A. Lindquist©

Photo by Heather A. Lindquist©

Heather: “I would say Betsey Johnson was one of my favorites when I was younger.  Her and Gaultier were whom I actually had in my closet.”

* It's fitting that Heather's first fashion crush was Betsey Johnson, as both will make an appearance at this year's Tucson Fashion Week, October 17-19. Get your tickets now, and look out for 3 Story's special fashion issue in October.

*REVOLuTIo is at 43 S. 6th Avenue. Click here for details.

Fashion Crush

In celebration of the upcoming Tucson Fashion Week, we profile some home-grown fashion designers. Our fashion crush this month: Elizabeth Denneau of CandyStrike. By Gillian Drummond.

3S: Why 'CandyStrike'?

Elizabeth: "I was painting a lot of vintage clothes by hand and I was into learning about sweatshop labor. Candy represented this mass production, fast fashion, and the strike is a strike against it. I like that it's a little confusing. People have to ask me what the name is all about."

3S: When did you start playing around with fashion?

Elizabeth: " I grew up really poor in Tucson. We didn't have money for getting new things. You became really resourceful, especially if you were fashionable. There were a lot of thrift items that were re-sewn. I did what I could to make sure I could express myself. I was raised by my single mom and two aunts. Each of these women was different but they all knew how to sew. I was drawing and painting from a very young age and I've always loved textiles and manipulating things."

3S: How would you describe CandyStrike?

Elizabeth: "The majority of plus sizes are very boring, so I strive to use very unique, edgy things you would never see provided in a size 18. They're one-of-a-kinds [bought and re-designed] and also originals, made from scratch. A lot of time I'll paint on them and do screen printing. My latest piece is a swimsuit with the Virgen de Guadalupe on it (modeled, above, by Elizabeth's friend, blogger Jes Baker). She's a recurring theme.

"The line I'm working on for Tucson Fashion Week is inspired by British bands like Joy Division, The Cure and Siouxsie [and the Banshees]. It may be the only plus size on the runway, which I think is really awesome."

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Elizabeth Denneau. Photo by Gillian Drummond

3S: You are the founder of Tucson Fashion Week. What is it like trying to be fashion-forward living in Tucson?

Elizabeth: "Tucson is like a bad boyfriend. Sometimes it can be that boyfriend that has so much potential and then he turns around and smacks you in the face. Then he does something awesome again and you're like 'I'll try again'. After a while he stops smacking you in the face. It can be a very amusing relationship. Everyone gets really excited about things here, even officials. Then it could be a permit, it could be so many walls you just run smack into.

"It's hard to find your tribe here as a designer, that's one of the biggest challenges I have. But that's why Tucson Fashion Week is really great."

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A sneak peek of what CandyStrike is planning for Tucson Fashion Week. Photo by Gillian Drummond

3S: Where do you find your clothes?

Elizabeth: "I find clothes on eBay and around town - places like How Sweet it Was on 4th Avenue. Sometimes I'll find a $2 item at Target and know I can do something with it. And don't discount places like dollar stores, Goodwill and St. Vincent de Paul. You have to dig and be willing to take something that you're going to have to do repairs on."

3S: What designers influence you?

Elizabeth: "Alexander McQueen. I feel a kinship to him and what he's done, and things I read about him and his whole aesthetic. He was an 'aha' moment for me, when I found him. That was a decade ago."

3S: Who was your first fashion crush?

Elizabeth: "Lisa Bonet in The Cosby Show. I grew up with my family on my mother's side, and they're all Irish. There weren't a whole lot of black people around, none of them looked like me. And here was Lisa Bonet. She wore the coolest outfits."

* You can find the CandyStrike store online or at  197 E. Toole, Tucson... although not for long. Elizabeth plans to close her brick-and-mortar shop soon and have pop-up shops instead. Follow Elizabeth's funny, warts-and-all blog, Your Life in Design, for the latest CandyStrike news.

3 Story is a proud sponsor of Tucson Fashion Week, which runs October 17th to 19th, 2013. For tickets and info visit www.tucsonfashionweek.com

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Elizabeth's signature touch is to paint and silk-screen clothes. Photo courtesy of CandyStrike

 

 

Fashion Crush

In celebration of the upcoming Tucson Fashion Week, we profile some home-grown fashion designers. Our fashion crush this month: Cybil Waite of Julia Love. By Gillian Drummond.

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Photo by Tyrone Lavigne / Model: Dash Kolos

3S: Why 'Julia Love'?

Cybil: "It's my grandmother's name. I wanted to name the collection after someone I aspire to. I have a few of her pieces. One is a coat with a fur collar. I probably couldn't wear that in Los Angeles."

3S: You relocated to L.A. after graduating from the Art Institute of Tucson last year. Why did you move?

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Designer Cybil Waite
Photo by Gillian Drummond

Cybil: "I moved there with my boyfriend. He's a filmmaker. We decided to come out and live here for a year.

"I feel like in Tucson you're nurtured to become an independent designer. I interned for Elizabeth Albert, Tucson Fashion Week founder and owner of CandyStrike, and Paula Taylor, TFW creative director. In Los Angeles it's much more commercial. Out there it’s so much about who you are. It's more about 'I'm a designer'. [In Tucson] nobody would ever know who I was. I don't want to criticize my new hometown, but I like Tucson a lot."

3S: When and why did you get into fashion design?

Cybil: "I started at the Art Institute of Phoenix where I was studying graphic design. I really enjoyed it but I felt like I was always in front of the computer. My sister had just moved to Tucson so I followed her. I started studying fashion because I wanted to learn how to sew. After [a short while] I felt like I was creating something and watching it come to life on a person and how it makes them feel. I like how people interpret your garments."

3S: How would you describe the Julia Love style?

Cybil: "I create these themes. My Fall collection [to be launched at Tucson Fashion Week] is early '60s space race. It was partly inspired by women fighter pilots. I was really inspired by that and wanted to create glamorous clothes but tough, like they were an atomic blast, like the clothes are coming out of the ashes.

"I like structure and solid lines and form-fitting clothing. Every one of my collections has a story. It makes it a little bit more exciting. I like to create a line based off of characters. Sometimes I get more way more involved in my head [with the characters] and don't tell everyone how deep it goes!"

3S: What designers influence you?

JuliaLove-1603

Photo by Tyrone Lavigne / Dash Kolos Model

Cybil: "Marc Jacobs is my ultimate favorite. Oscar de la Renta. Carolina Herrera. Louis Vuitton Paris."

3S: Who was your first fashion crush?

Cybil: "Gwen Stefani. She has always been an inspiration for me both in music and fashion. She is such a bad-ass in the way she confidently carries herself, while also managing to make it look so effortless. For me, Gwen really knows who she is and isn't afraid to rock her personal style, which was always very inspiring to me as a young artist trying to build my own unique style."

3 Story is a proud sponsor of Tucson Fashion Week, which runs October 17th to 19th, 2013. For tickets and info visit www.tucsonfashionweek.com.